John Matthew Fox helps authors write better fiction. He is the founder of Bookfox, where he creates online courses for writers, provides editing and offers publishing assistance. He is the author of "The Linchpin Writer: Crafting Your Novel's Key Moments" and “I Will Shout Your Name,” a collection of short stories.
Writers, Tell the Reader about the Farmers
|
Hi Bookfoxers, How do you create suspense in your fiction? You need suspense throughout your book because the opposite of suspense is ... boredom. The reader isn't looking forward to anything, and there's no friction, no electricity in your writing. You're just delivering information. You're just having characters talk and act. In fact, I would wager that having suspense is the main element that separates ho-hum fiction from fiction where readers grip the deckle-edges and stay up past their bedtime. What is suspense? It's about looking forward. Or, to put it another way, anticipation. At every moment, the reader should be anticipating something.
Let's look at a specific example. This morning, I was snuggled up on the couch with my son, reading out loud to him the Roald Dahl book, Fantastic Mr. Fox. This is a favorite in our house, not only because we Foxes always appreciate a good fox story, but also because Roald Dahl is a masterful storyteller, spinning such yarns as Charlie and the Chocolate Factory and James and the Giant Peach. There's a moment in that book when Roald Dahl takes a FULL PAGE to talk about a fox creeping out of his hole. Every detail is trotted out.
About the only thing that was missing was the voice of George Clooney, who voiced the Fantastic Mr. Fox with remarkable aplomb in the animated movie. It's a very ... slow ... scene. But it's never a boring one. The reader is on the edge of their seat because we know that three farmers named Boggis, Bunce, and Bean are lurking nearby with guns, ready to shoot Mr. Fox dead. The reader is just waiting ... Waiting for when the shooting starts. Now, for a word from our sponsor (and then I'll tell you why those farmers are so key). Sponsored by Premium Ghostwriting Academy Want To Stay Relevant As A Writer?Are you worried ChatGPT will…
Then you need to learn how to write with AI (not ignore it). This FREE email course will help you:
Can you imagine if Dahl hadn't told the reader about the farmers? And just focused on all the details of the fox creeping out from his hole? Ugh, it would be SO BORING. Nobody would care about the fox smelling the breeze or looking at the moon or moving slowly from his hole. The only thing that gives those details energy is that we know those farmers are lurking in the shadows with sweaty hands curled around shotgun barrels. Now, if I could summarize the problem with many books, it's that the author hasn't told the reader about the farmers. "Telling the reader about the farmers" simply means you have to give the reader the conflict that will make even the most boring details sparkle with tension. Without the knowledge of the impending conflict, every story falls flat on its face (and your reader abandons your book, never to lavish it with praise on Goodreads). Here are several questions to ask yourself as you try to tell the reader about the farmers:
Of course the Fantastic Mr. Fox does manage to dive back inside the hole without getting killed (although he does lose his beautiful tail, sadly). But if you haven't read the rest of the story, I won't spoil it. :) Best, John Matthew Fox |
Bookfox
John Matthew Fox helps authors write better fiction. He is the founder of Bookfox, where he creates online courses for writers, provides editing and offers publishing assistance. He is the author of "The Linchpin Writer: Crafting Your Novel's Key Moments" and “I Will Shout Your Name,” a collection of short stories.
Hi Bookfoxers, Today we're answering this reader question: I am writing a fictionalized version of my maternal grandmother's life in her voice, based on dramatic stories my grandmother told me over the years. I am embellishing some of the stories, and keeping them intact in others. But at this point, they seem like vignettes that I'm not sure how to tie them together. I keep thinking I need, "a clothesline to hang them on". I've thought of interjecting myself, using my memories to tie them...
Hi Bookfoxers, I'm continuing to answer readers' questions, this time from someone who will stay anonymous, in case their neighbor reads this newsletter as well: Despite holding an MFA from a prestigious university and a recent acceptance for traditional publication for my second novel, I still have what is referred to as "imposter syndrome." I knew it was present, perhaps beneath the surface, but what drove it home was when a neighbor asked me to review his manuscript. He planned on...
Hi Bookfoxers, I've started to answer questions from readers in this newsletter, and this one comes from Brenna Labine: Any advice on toeing the line between too much visual description and the right amount of scene/character description? Great question, Brenna! Your question is really a question of pacing -- how can writers keep the reader's interest while simultaneously fully fleshing out the world of the book? If you don't give enough description, the reader won't be immersed. While if you...