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Bookfox

John Matthew Fox helps authors write better fiction. He is the founder of Bookfox, where he creates online courses for writers, provides editing and offers publishing assistance. He is the author of "The Linchpin Writer: Crafting Your Novel's Key Moments" and “I Will Shout Your Name,” a collection of short stories.

Featured Post

Warning: This Crosscut Technique May Make Your Story Too Exciting

Hi Bookfoxers, Debra Sparks, in her craft book "And Then Something Happens" talks about the benefits of the Crosscut Technique. She's really talking about how to create suspense in your book, and notices that all these books and television shows kept on doing the same thing: jumping to a new storyline. Why? What's the point of leaving a story we're invested in, just to make the reader step into a new piece of the story with different characters? Well, that's the magic of a crosscut. A...

Hi Bookfoxers, Most writers can't answer these five basic questions. But any writer who can has a much higher chance of finding success. Here they are: 1. Why am I writing? Orwell said a common reason why writers write is "sheer egotism." They want their name known, they want the next generation to remember them. Some authors write for therapeutic reasons, to work out a particular psychological problem. Other authors just want to help others: they write out of altruism. Name your WHY. It will...

Hi Bookfoxers, Rudolf Flesch, an Austrian who hid from the Nazis in WW II, wondered why English sentences were so difficult to read. He thought writing should be simple, but that most people cluttered it up needlessly with complex language. So he gave two pieces of advice: keep your sentences short (he thought the golden mean was 17 words) use short words (longer words decrease comprehension) And Flesch invented a formula that calculated words and syllables in sentences, and assigned a score...

Hi Bookfoxers, When I was 31 years old, I’d been laboring over a novel for 5 years. It was a quagmire. I was stuck in a plot that wouldn’t move, in characters that couldn’t elicit sympathy, and with ambitions that were far beyond my skill as a writer. But here’s the thing: I wasn’t a quitter. I thought that only losers quit. I thought that way, because when I was in high school, I tried out for the JV basketball team both as a freshman and sophomore – and didn’t make the team either year. So...

Hi Bookfoxers, I once had a creative writing professor who would read out loud the first paragraph of any story submitted to the workshop. Reading it out loud was a way not only to test it, but a way to slow down and really focus on the beginning. To see whether it sounded boring, or weird, or just plain dumb. I’m afraid that nearly all of the stories did not pass muster. He would growl through the first paragraph, and sometimes he would ask whether we thought someone would want to: Have a...

Hi Bookfoxers, At the age of eighteen, Django Reinhardt, a brilliant jazz guitarist, suffered severe burns to his left hand in a fire, rendering his third and fourth fingers unusable. Everyone said he'd never play guitar again. I mean, he only had three fingers on his left hand -- 40% of his musical possibilities were gone. But Django persisted. He worked with his shortcomings rather than against them. He figured out how to use the injured fingers for bar chords, and then use the good fingers...

Hi Bookfoxers, Here's a tip to make your character seem like a full, complex, robust character. It seems simple but I've found it's not only a great way to craft a character, but also a great litmus check to see whether your character is too 2-dimensional. Here it is: Make sure your character exists in all three temporal dimensions: Haunted by the PAST Wrestling with the PRESENT Wary of the FUTURE This might seem like obvious advice, but the devil is in the details. 1. Haunted by the Past For...

Hi Bookfoxers, Today we're answering this reader question: I am writing a fictionalized version of my maternal grandmother's life in her voice, based on dramatic stories my grandmother told me over the years. I am embellishing some of the stories, and keeping them intact in others. But at this point, they seem like vignettes that I'm not sure how to tie them together. I keep thinking I need, "a clothesline to hang them on". I've thought of interjecting myself, using my memories to tie them...

Hi Bookfoxers, I'm continuing to answer readers' questions, this time from someone who will stay anonymous, in case their neighbor reads this newsletter as well: Despite holding an MFA from a prestigious university and a recent acceptance for traditional publication for my second novel, I still have what is referred to as "imposter syndrome." I knew it was present, perhaps beneath the surface, but what drove it home was when a neighbor asked me to review his manuscript. He planned on...

Hi Bookfoxers, I've started to answer questions from readers in this newsletter, and this one comes from Brenna Labine: Any advice on toeing the line between too much visual description and the right amount of scene/character description? Great question, Brenna! Your question is really a question of pacing -- how can writers keep the reader's interest while simultaneously fully fleshing out the world of the book? If you don't give enough description, the reader won't be immersed. While if you...